installation . 2022
présentée à la Galerie FOFA

This endeavor to foresee the interiors as precisely as possible. To picture them exhaustively through the folding of pieces of paper before being able to set them up in space really. A practice of anticipation. This place was activated (visualized), known, before it actually unfolded in real life.

Isn’t there something wavy about this wall?

Outside, something that sounds and looks like a storm. Here, images are displayed as accounts of things which are taking place here.

we appreciate, it is pleasant

grandiosity and prestige, nice looking objects in nice looking spaces 

luxurious places, disgusting configuration

(modernity symbol social prestige aspiration, said this architect)

these interiors, emblems of our frenzy to ornament our fear

To protect oneself from the outside the walls and what we glue onto them partitioning apparatuses acting surfaces things are fine.

spatial perception and nausea

how fragile are our constructions

Here is an exhibition but it is an installation but it is a decoration but if something was taking place here one could think this place as a theatre set. The plan is to make an imitation of a horrible place. Clean. Sanitary. Artificial. Barricaded. 

An interior that is better to be wary of.

This project was made possible thank to the generous support of the Claudine & Stephen Bronfman Family Fondation and the precious help of Sarah L’Hérault, Philippe Lauzier, Philippe Internoscia, Zoé Bailey-Stetson, Faber Neifer, Eric Simon, Ingrid Bachmann, Catherine Walthard, Olivier Longpré, Nicole Burisch, Geneviève Wallen, Danny Crouch, Rose Tavormina, Alex Harper, Patrick Chassin, Laïla Mestari, Eunice Bélidor, Laura Shevchenko and Marina Polosa.